If you like Hitorri, you may also like:
supported by 6 fans who also own “For Tentou Mishima No. 2-A (4:04)”
Definitely different from his more recent collaboratively ethereal and leisurely LP's, this is a crepitating, sparsely textured album that sounds like a peregrine mixture of Whitehouse eeriness, Diamanda Galas, and the first Sonic Youth LP if it was played by Jandek. A fascinating LP that is best played at very loud volumes lying on the sofa after a few Fernet Branca's.
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Historic Music Past Tense Future
by Peter Brötzmann, Milford Graves, William Parker
supported by 5 fans who also own “For Tentou Mishima No. 2-A (4:04)”
free jazz you can lift weights to. aggressive and necessary.
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O Life, O Light, Vol. 1
by Zoh Amba featuring William Parker and Francisco Mela
supported by 5 fans who also own “For Tentou Mishima No. 2-A (4:04)”
This is wonderful! I look forward to Vol. 2.
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Prickly avant-jazz and math-rock obstinance make for dazzlingly complex songs on the latest from Sam Ospovat.
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Mouth Full of Glass (2022)
by Macie Stewart
Contemplative indie folk with crystalline melodies given a lift by guests like Ben Lamar Gay and Sen Morimoto.
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supported by 5 fans who also own “For Tentou Mishima No. 2-A (4:04)”
Kazuo Imai is quite unknown in Europe and the US. This live recording is a good way to start to know him. He is playing acoustic guitar. He has his own voice.
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